APPLE LEEF FARM, LLC

Fiber Shop  ~ Working Farm

Handpainting Cotton Warps

In this class you will learn how to paint your warps in beautiful lasting colors.  These hand painted warps make gorgeous hand woven fabric with color that is hard to duplicate.  You will learn how to use Procion dyes, their assists and how to mix stock solutions.  From a few basic stock solution colors, you can mix a nice varied palette of colors.  We will be using a cold batch method, with no heat required.

Supplies to bring to class: 
Notebook, pencil, full apron, latex or vinyl gloves, dust mask, 4-pint sized jars with tight fitting lids, 4-one inch sponge brushes OR large (1 inch) stencil brushes.
WARP: 5/2 bleached, natural or pearl cotton (about 2000 ypp), 3 yards long, 120 ends.  Bring the warp tied securely at the cross and at the opposite end, but use loose figure 8 ties for the rest of the warp.

This is a FULL DAY CLASS

COST is $60 plus a $12 supply fee

CLASS TOPICS

THE DYES
1.  Procion MX dye - fiber reactive dye - mix to a 1% stock solution
2.  Shelf life issues to be aware of

THE ASSISTS
1.  Soda Ash - Sodium carbonate, alkali fixative - mix to a 2% stock solution
2.  Urea water - a synthetic nitrogen which functions as a humectant - mix to a 15% stock solution.  Urea water also increases the solubility of the dyes when making the dye paint
3.  Synthrapol - A concentrated wetting agent and surfactant used for scouring fibers prior to dyeing and for scouring fibers after dyeing. 
4.  Metaphos - Sodium hexametaphosphate, a water softener.  If you live in an area of hard water, in order to get bright color, you will need to soften your water.  Use it at the rate of .5g/liter of water.

MIXING DYES AND ASSISTS
1.  Making color combinations from basic dye stock solutions

FIBER PREPARATION
1.  Preparing warps with proper ties
2.  Scouring and wetting out

PREPARING THE WORKSPACE FOR PAINTING

HAND PAINTING PROCEDURE
1.  Layouts
2.  Using paint cups and why

SETTING THE DYES
1.  Cold batching

FINISHING
1.  Final washing
2.  Dye strike, exhaust and no exhaust

WEAVING THE SCARF WARP
Designing on the loom

PLANNING A KIMONO WARP